THE SKULLS INTERVIEW (6/21/02 @ Showcase, Corona Ca.)By Marcus Solomon
Go get skull fucked! You need it. Punk rock has (de)volved into so many sub-genres inclusive of countless rules and hypocritical social expectations that we all need THE SKULLS to blow our brains out! Take every expectation you ever had about anything to a Skulls show and have it purged with aggressive, exuberant joy. Who better to resurrect the true spirit of punk rock than legendary vocalist and founding member BILLY BONES?
Billy helped found The Skulls in Los Angeles California back in 1978. The current incarnation holds true to the loud, abrasive, and creative essence that "defined" punk rock during its infancy. This bastard child called rock and roll has grown and changed much over the years. The Skulls call it back to the source and inject the body with explosive Adrenaline and vitality.
With James "Hardslug" Harding (formerly of THE ADICTS) on bass, Sean "Geronimo" Antillion (formerly of THE GEARS and THE SNAKE CHARMERS) providing the heartbeat via drum kit and Kevin "The Kid" Gorman skillfully losing his spastic talented mind on guitar, The Skulls are a genuine mind-bomb of the highest order. Words to describe music? Nah…just trying to point the direction here. Please wipe your ass with this inadequate description and experience The Skulls as soon as possible. And remember…they don't care what you think anyway.
THE SKULLS ARE:
Billy Bones: Vocals
Kevin "The Kid" Gorman: Guitar
James "Hardslug" Harding: Bass
Sean "Geronimo" Antillon: Drums
MARCUS: I saw STIFF LITTLE FINGERS LAST WEEK AT THE TROUBADOUR IN HOLLYWOOD (6/19/02).
HARDSLUG: Aren't they great?! BRUCE FOXTON is on bass! (Formerly of THE JAM) You can hear that JAM influence. It's interesting man! He's a great bassist.
MARCUS: It was great! Just as I walked in, they started with "SUSPECT DEVICE".
HARDSLUG: The reason I mention Bruce Foxton is because…well, I don't really play bass guitar, yet I do with THE SKULLS. The reason is because me and BILLY BONES we were doing some stuff together when we realized we missed the old days of playing music. I used to play with THE ADICTS; I played keyboards for them live, still do in the studio, but I hadn't toured professionally for many years and neither had he (Billy). Then all of a sudden he was asked to put The Skulls back together…
MARCUS: Who did the asking?
BILLY BONES: Dionysus Records.
HARDSLUG: They are re-releasing some old stuff of his (Billy's), or something. KEITH MILLER was playing bass and he all of a sudden had to drop out at the last minute. I said that I would give it a try if you like. I never played bass before; I said "I will go out and buy one. Give me a week and I will see what I can do". Because I was playing drums too…
MARCUS: It's all relative.
HARDSLUG: Yeah. And it all came back because I really like this material. We had been playing The Skulls stuff to get loose anyway. That's how it all came together and why I was so interested in Bruce Foxton because he is playing an instrument I am trying to learn. I am watching him and seeing where he's going up and down the frets and stuff.
MARCUS: They (SLF) seemed like nice guys although I did detect a bit of ego.
BILLY BONES: Ha ha ha!>
HARDSLUG: Yeah, well…we have supported them before.
MARCUS: When you were with the Adicts, did you do the OLYMPIC AUDIORIUM show?
HARDSLUG: No. You are talking about 1984. I joined them the year after. In 1985 we played with BAD BRAINS…headlined a show at THE SANTA MONICA CIVIC, another gig at FENDER'S (Long Beach), it was a really nice thing.
MARCUS: How weird was that? Freddie Fender owned a punk rock club back in the 80's!
HARDSLUG: I had no idea. All I remember is being absolutely ruined in there on many occasions.
MARCUS: I missed that tour. I was skateboarding a lot or something.
HARDSLUG: Well MONKEY is here tonight. He came along with us. He's a big fan of The Skulls, as we are of The Adicts.
BILLY BONES: Hey! What magazine is this for?
MARCUS: I don't know the Doc has it all set up with somebody. I think it's worldwide or something.
BILLY BONES: Oh wow.
HARDSLUG: Do you have any structure to this (interview)?
MARCUS: No. I freestyle and try to pass it off as creative.
HARDSLUG: Good; I like that.
BILLY BONES: Yeah.
MARCUS: You guys are from "back in the day" as am I (old). But you (THE KID) are a bit too fresh-faced.
THE KID: I'm young. I'm a young stallion.
MARCUS: Are The Skulls an "on again - off again" thing
BILLY BONES: (grimaces) Naw, not really…There were a few times when the time was right for us to do it again.
MARCUS: A new incarnation to the same spirit?
BILLY BONES: Yeah absolutely; that's perfect.
MARCUS: With all these reincarnations, The Skulls must be a Buddhist thing.
(laughter)
HARDSLUG: Yeah, it's a Zen thing. (laughter) We should clarify what we are saying here. I told you how when we did these few gigs at the request of Dionysus. He (Billy) needed to find a guitar player and he found The Kid. Found him through his daughter's school actually. And SEAN (Geronimo) the drummer has already played in a couple of the reincarnations of The Skulls. It worked so well and we had such a good time with each other. Not because it was The Skulls, but because it was the four of us really….
MARCUS: Meshed?
HARDSLUG: I'm not just talking about the band; the four of us together. Even if we are not playing music, we really have a good time. That's why we really decided to get it going again. About a year and a half ago when we started with this lineup, we were honestly considering not calling it The Skulls.
BILLY BONES: The reason being that I did not want to ride on the coattails of The Skulls. The Skulls were a great band. Back then, '77, '78…"SPONTANEOUS COMBUSTION"…great guys and I love all the guys…there was something there….when MICK passed (away) two years ago…he was the original drummer. These are great songs and nothing was being done with them…they need to be out there. The only thing we ever recorded was the (unintelligible) [I think he is referring to the What? Records sampler - mxv] thing and the live thing at The Masque.
MARCUS: It seems that sometimes music takes on a life of its own even when its originator is no longer there; somebody needs to carry the torch.
BILLY BONES: I don't know about carrying the torch, but you know what man? It's just in my blood to get out there and tear it up all the time.
HARDSLUG: A few of those songs are very important to Billy and I keep noticing he is quite emotional about it….it's a nice thing. And what you will notice tonight is that we have written new material. We have had a few say "who do you think you are" and "how dare you" and stuff like that, but we are calling it The Skulls because it just feels right. This is the new Skulls if you like. We are not flogging a dead horse here. Half of our stuff is new material and a lot of the old stuff has been reworked and revamped. We can't live a quarter century ago.
MARCUS: A lot of bands become stagnant. A lot of them ride on their own coattails so to speak. Like, "lets get the band back together so we can pay the rent" or something like that. As opposed to doing it for the sake of music.
BILLY BONES: Yeah, I love what I do and I love the guys I am with. I was thinking about it and it's funny...it's almost like a brotherhood...the people I have worked with throughout (the years). From when I started out in '77, '78...Don Bolles (Germs, Vox Pop, 45 Grave) played drums with The Skulls once, and Bruce, Mark's brother played Bass with us...and K.K. from THE SCREAMERS played with us...we are all really close. It's just a burning desire to get out there and put it out on the floor man.
MARCUS: I have found that I am often closer to my friends than my own family. My brother won't talk to me, but you will.
BILLY BONES: Absolutely! You are an all right guy with me. (laughter)
MARCUS: Tell us about how much The Skulls will be touring and such. DR.STRANGE is going to release some stuff and...
BILLY BONES: We have recorded some old stuff and some new stuff he likes it (Dr.Strange) and we like him. It's perfect you know?
HARDSLUG: I'd like to say something about that. The Doc is one of the rarities of humanity.
MARCUS: The Doc is pretty much a punk rock saint.(laughter)
HARDSLUG: I think we have all met and dealt with a lot of people. And in our standard of music there are a lot of people who hang around the periphery...there's a lot of "sharks" and scary types of people out there.
MARCUS. There are people eager to rip someone off no matter where you go.
HARDSLUG: We have been around the block a few times so we are aware of people like that. I drove out to meet Doc for the first time when we were going to negotiate the deal. There wasn't any negotiation to be done because he already knew what he wanted to do for us. We knew what we needed to do in order to deliver for him. I looked into his eyes, shook his hand and I could tell straight away that he is a guy you can trust and do business with.
MARCUS: And you consider yourself to be a good judge of character?
HARDSLUG: That I do actually.
MARCUS: Do you like yourself?
HARDSLUG: Not all the time. That's why I don't drink anymore.
MARCUS: A very astute and insightful assessment of self. Now, what about touring?
BILLY BONES: Naw...We're just taking it as it comes you know? We are going to see what happens with the (new) record...
MARCUS: You are getting good distribution right away and with the Internet, it's easier than ever. Do you think there is a double-edged sword here? Because back in the day, we had to actively search for alternative music. Now with the Internet, it's good for distribution, but it's also too easy; the joy of "my little secret is lost". Any comments on that?
THE KID: I hate the Internet. I hate everything about it.
HARDSLUG: Well, it looks like The Kid is going to get left behind somewhere over the next two decades.
MARCUS: The Internet is like anything else. It's got good and bad aspects; it all depends on how and what you use it for.
HARDSLUG: (To The Kid) That must be why you never reply to my fucking Emails! (laughter)
MARCUS: But it is a lot of fun to communicate with a DICKIES fan in Lebanon or something.
HARDSLUG: I think a lot of people are scared of it and of computers in general. The Internet has played a large part in me being able to feed my family and keeping me alive for the past 6 or 7 years. Personally speaking, without the Internet, I would be fucked actually. It does not matter what your personal views are, everyone will eventually have to come to terms with the fact that the Internet is an integral part of society.
MARCUS: Most people were wary and skeptical of the telephone when it was first invented also.
HARDSLUG: Right; but now everyone lives with it. I'll bet when we had the steam engine, the gasoline engine freaked a few people out!.
MARCUS: I wonder if the kids will become lazy and not go searching the clubs and such because it's now so easy to find punk rock.
BILLY BONES: Yeah, but you know...there's nothing like live! If people are like that, then they are missing out anyway.
MARCUS: There is never a substitute for the real thing.
HARDSLUG: And that's up to us. You don't have to be on a global major (distributor) to get the job done. If we could find some way of funding our (travel) to various corners of the world, it's up to us to take the show on the road. Internet and word of mouth are great...but like Billy said, it's about getting in their face and showing (the people). It's like that CD we gave you tonight...when you see us perform tonight, the CD's exactly what you are going to get and more!
MARCUS: Beware of overproduction.
HARDSLUG: We do not overproduce (in the recording studio). We obviously isolate the instruments (while recording), but if you go in there and have a horn section and all this other crap, then it's so much like you are duping people.
MARCUS: Oh yeah, when are you adding the cello and boy's choir?
BILLY BONES: We are just stripped-down and in your face!
MARCUS: Analog or digital?
HARDSLUG: Digital.
BILLY BONES: Analog.
MARCUS: How about recording on Analog then saving it on Digital?
HARDSLUG: It's all about money. Digital is far cheaper. Analog, $150.00 every 2-inch tape and you can only squeeze a few minutes on every 2 inch. It's a big pain in the ass. We have the technology now. If you are a real audiophile you can get in there with decibel meters and all kinds of tricky devices and deal with all the nuances and whatever. But if you have only a grand to put a whole album together, you don't have the time or money to mess around. Digital is convenient. However, listening to Analog on the playback is always nice.
MARCUS: I actually had a kid of about 16 ask me, "What are those big black things that used to have music on them?" I said, "You mean records?" It was really weird to see how fast things are changing.
BILLY BONES: Oh wow.
HARDSLUG: Best Buy is selling new record decks (turntables) for like $120.00. I just bought one.
MARCUS: Do you think that is because of a new generation of record collectors?
HARDSLUG: I hope so.
BILLY BONES: I think so. It's always been there and now it's getting bigger.
MARCUS: What I lamented the most was the loss of the art and art space. The CD case is too small.
BILLY BONES: Yeah. It's very stale.
HARDSLUG: Just wait till you see the Dr. Strange CD art. We might have just destroyed that notion! Its like nothing you've ever seen!
MARCUS: What motivated you to play music in the first place?
BILLY BONES: I have been around music all my life. When I was 13 I worked with a band. I had an organ that I turned into a light show and I used to introduce the band. We toured all up and down the East Coast. I love music and have always loved music.
HARDSLUG: What band was that?
BILLY BONES: It was called Natural Black. It was a very cool experience man. I got to experience the whole touring thing...it was a big eleven-piece band with horns and everything. They were all black and I was the only white guy...really cool soul music.
MARCUS: What about other musical influences. What do you listen to for personal enjoyment?
BILLY BONES: I like a lot of everything. T-REX, THE STOOGES, MC-5, all the explosives. Early STONES, THE ANIMALS, THE VIBRATORS are one of my favorites. I like stuff that's got energy behind it...that's why I do what I do.
MARCUS: (To The Kid) You are too quiet. Billy said he found you at a school?
THE KID: Yeah, at Notre Dame.
MARCUS: The University of Notre Dame?
THE KID: Yeah, sure.
*(Editor's note) The Kid recently graduated from Notre Dame High School.
MARCUS: And what of The Kid's musical influences?
THE KID: THE GO GO'S.
MARCUS: I have a GO GO'S picture disc actually.
BILLY BONES: We used to rehearse with them at THE MASQUE.
MARCUS: Wasn't THE MASQUE in the basement of the Hollywood PUSSYCAT THEATRE?
BILLY BONES: Yeah, beneath the Pussycat Theatre.
MARCUS: I missed out on that, but I did go to THE CATHAY DE GRANDE a lot.
BILLY BONES: The fire marshal shut that place down.
MARCUS: I remember ADAM AND THE ANTS playing at the ROXY when I was going to see THE SUBURBAN LAWNS at THE WHISKY in 1982.
HARDSLUG: Ah, Adam and the Ants; huge influence in my life. Early stuff though..."DIRK WEARS WHITE SOX" stuff like that.
THE KID: Adam Ant is my savior.
MARCUS: Adam Ant or Adam and the Ants? Because the latter had way too many horns.
HARDSLUG: Too much of everything actually.
THE KID: They sabotaged him.
HARDSLUG: To everyone reading this interview. If you have ever dismissed Adam Ant as some kind of joke, get beyond all that commercial crap and get "DIRK WEARS WHITE SOX". Get the English pressing if you can because it's better, different tracks and mix; it's phenomenal!
MARCUS: It seems as if punk used to have a lot of rules and now it is breaking free of itself again.
HARDSLUG: I think so. You had your Teddy Boy, your sort of Soul Boy thing going on, it seems that roughly each decade there was some sort of (sub)"movement". Whatever happened to music after punk rock? Look at rave…it that a movement or a culture? A bunch of kids blowing their brains away on Ecstasy. That's not very productive or positive.
MARCUS: Prolonged use of Ecstasy causes Parkinson's Disease.
HARDSLUG: It seems like the whole of youth is just jonesing and gagging for …..what's the word I am searching for?
MARCUS: Genuine originality?
HARDSLUG: Just something to give them that feeling. Something to break through.
MARCUS: There are a lot of hormones churning in the youth and they may as well ride your music on their personal quests…..the corporate entity certainly is not interested in taking them anywhere of substance.
HARDSLUG: Right. Which is probably why they (the youth) are more open now. They are searching; they are lost.
BILLY BONES: I think too that a lot of the kids had parents that listened to cool stuff and they listened to it (also). They are exploring…
MARCUS: It seems that the genres themselves are becoming less definite. No matter what I try to label something, the description just slips away…that's a good thing. For example, I think DICK DALE is as punk as it gets!
BILLY BONES: Right.
DR.STRANGE: Speaking of our own band for example. Each member has about 10 years between the each of us. We have a 30-year spread across the band. So what's happening is…and we are all getting off on it…We are a living illustration of the point just made. We are all interested in each other's influences. I have exposed The Kid to things like Steve Harley and Cockney Rebel…
BILLY BONES: EDDIE COCHRAN…now that's a punk.
HARDSLUG: In our audiences…each of us cultivates our own little crowds and brings them into one place. So we have everyone from teens to people in their 50's coming to our shows. On some occasions, we have seen parents dancing and going crazy with their kids. It's just the coolest thing you know?
MARCUS: Do you consider music to be your religion?
HARDSLUG: Me? Nah.
BILLY BONES: No. I don't even want to talk about religion. Music is right here; from the heart. I just have to do it and lay it out on the floor. It has nothing to do with religion. There is no preconceived notion of what is going to become of it. Just do it! The more you do it, the younger you will be for the rest of your life!
HARDSLUG: If you paint a painting, and you do it sincerely and with love, you put it out there and if people like it, so much the better…whatever… it's for the sake of the artist. But there are also those who just paint things like fluffy kittens or whatever because they sell. With music, the audience can sense your passion and get into it. We could take the cookie cutter approach to this but we choose not to.
MARCUS: I saw a band recently that sounded exactly like Blink 182 every song they played.
BILLY BONES: Well, since you brought up Blink 182…the way I look at it is, they are all musicians. They are doing what they can do. They are stepping up to the plate and taking care of their families with it. I don't care if you are playing a washboard, if you are out there and doing it, that's vitality!
HARDSLUG: There you go… Blink 182 painted a picture out of love… then everyone else started painting fluffy kittens!
MARCUS: Freedom to do what you want regardless of what others think.
BILLY BONES: Exactly!